I’ve been writing hell for leather for the past few weeks and aiming to submit my YA steampunk adventure A Flight of Thieves to a very short list of agents in early May.
This story still delights me. You know that thrill you get in your stomach when you’re doing exactly what you were put on this world to do, and you’re doing it well? That. Writing this book gives me a song in my heart.
I hit a problem scene over the weekend. That’s two in this story. I very much doubt there’ll be a third because the ending I plan to write is explosive. But this weekend’s problem scene reminded me that every book I’ve written has had at least one of them.
Oh, except for Beauty and the Bastard, which I wrote in a white hot fury when my wife was seriously ill and I thought I was losing her. No hiccups in that short book. Only screaming at heaven in anger and terror.
But all my other, longer books have given me a problem somewhere along the way. And it always happens in a transition scene. And in the past I’ve always paused before I tackled it. Sometimes for weeks. Often I’ve put it aside and worked on another story for a while.
I always return to the problem eventually, and now those scenes fit so seamlessly into the stories that I can’t even remember which ones they were. But at the time, each one caused me a mini-block.
This weekend I refused to let that happen. No surrender. I recognised the problem, remembered its historic effects, and I just knuckled down and wrote the bloody thing.
Sooner or later every story will throw me into a canyon. There are always route options for climbing out. The only option I will no longer entertain is sitting at the bottom and groaning about my bruises. Uh uh.